From discordant saxophone and wild steel drum action in COMMANDO to the quoting of Rachmaninoff (!) in THE WRATH OF KHAN; from the soaring heights of THE ROCKETEER to the labyrinthine depths of ALIENS––James Horner composed some of the most iconic scores of my childhood and beyond. I've written of his films on a few occasions (COMMANDO, 48 HRS., PROJECT X, TITANIC, STAR TREK III), though not nearly enough. Suffice it to say, he'll be dearly missed.
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